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Creating Tables in Dreamweaver CS4. Page Step 6 should tell you to choose "all" instead of choose "screen. Because of the error on page 36, you may run into a problem later in the chapter.
If so, rather than backtrack to page 36, you can do this to fix the problem: Using Code View, change the link for mystyles. Page 57, Step 2: There is no rule called ". The step should read "Highlight and delete all the styles except. When you finish, only one rule should remain in print. Page Step 3 should read "Select the image placeholder labeled "portara X ," and press Delete to remove it.
Pages Step 6, third sentence in the paragraph should read "You already added this folder to your hard drive to preview the finished page. Page Step 10, second sentence in the paragraph should read "Although the content added in this exercise was already on the page, you could enter content and edit directly in the Content panels.
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These predefined workspaces are suitable for different types of workflows, such as animation or effects work. You can also change workspaces using the Workspace menu at the top of the window. The Paint and Brushes panels open. The Composition panel is replaced by the Layer panel, for easy access to the tools and controls you need to paint in your compositions. If a project with a custom workspace is opened on a system other than the one on which it was created, After Effects looks for a workspace with a matching name.
Controlling the brightness of the user interface You can brighten or darken the After Effects user interface. Changing the brightness preference affects panels, windows, and dialog boxes.
You can click Default to restore the default brightness setting. Finding resources for using After Effects For complete and up-to-date information about using After Effects panels, tools, and other application features, visit the Adobe website. To search for information in After Effects Help and support documents, as well as other websites relevant to After Effects users, simply enter a search term in the Search Help box in the upperright corner of the application window.
You can narrow the results to view only Adobe Help and support documents, as well. For additional resources, such as tips and techniques and the latest product information, check out the Adobe Community Help page at community. For more up-to-date information, view the Help files online or download the current PDF for reference. You can easily obtain these updates through Adobe Updater, as long as you have an active Internet connection.
The Adobe Updater automatically checks for updates available for your Adobe software. Select how often you want Adobe Updater to check for updates, for which applications, and whether to download them automatically.
Click OK to accept the new settings. Review answers 1 Most After Effects workflows include these steps: import and organize footage, create compositions and arrange layers, add effects, animate elements, preview your work, and export the final composition.
An After Effects composition has both spatial dimensions and time. Compositions include one or more layers—video, audio, still images—arranged in the Composition panel and in the Timeline panel. A standard preview plays your composition from the current-time indicator to the end of the composition, usually more slowly than real time. A RAM preview allocates enough RAM to play the preview with audio as fast as the system allows, up to the frame rate of the composition.
You can drag panels to new locations, move panels into or out of groups, place panels alongside each other, and undock a panel so that it floats above the application window. As you rearrange panels, the other panels resize automatically to fit the application window.
In this lesson, you will continue to learn the basics of the Adobe After Effects project workflow. You will animate the newscast ID so that it fades to become a watermark that can appear in the lower-right corner of the screen during other TV programs. You can use them to create great-looking animations quickly and easily. When you begin the lesson, restore the default application settings for After Effects. When asked whether you want to delete your preferences file, click OK.
After Effects opens to display a blank, untitled project. However, After Effects also offers another, more powerful and flexible way to import footage for a composition: using Adobe Bridge. You can use Adobe Bridge to organize, browse, and locate the assets you need to create content for print, the web, television, DVD, film, and mobile devices. You can drag assets into your layouts, projects, and compositions as needed; preview assets; and even add metadata file information to assets to make files easier to locate.
In this exercise, you will jump to Adobe Bridge to import the still-image file that will serve as the background of your composition. If you receive a message about adding an extension to Adobe Bridge, click OK.
Adobe Bridge opens, displaying a collection of panels, menus, and buttons. Click the arrows to open nested folders. You can also double-click folder thumbnail icons in the Content panel. The Content panel updates interactively. Information about the file, including its creation date, bit depth, and file size, appears in the Metadata panel.
Alternatively, you can drag the thumbnail into the Project panel in After Effects. Adobe Bridge returns you to After Effects when you place the file. In Lesson 1, you created the composition based on footage items that were selected in the Project panel.
You can also create an empty composition, and then add your footage items to it. This preset automatically sets the width, height, pixel aspect ratio, and frame rate for the composition to NTSC standards. The foreground object is a layered vector graphic that was created in Illustrator. The Illustrator file is added to the Project panel as a composition named 5logo. A folder named 5logo Layers also appears.
This folder contains the three individual layers of the Illustrator file. You should now see both the background image and the logo in the Composition panel and in the Timeline panel. The composition opens in its own Timeline and Composition panels.
Leave all other options in the Character panel at their defaults. Leave all other options in the Paragraph panel at their defaults. Notice that when you switch to the Selection tool, the generic Text 1 layer name in the Timeline panel changes to NEWS, the text you typed.
This will apply the effect to all of the layers nested in the 5logo composition. Effects that are turned off do not appear in the Composition panel and typically are not included when the layer is previewed or rendered. By default, when you apply an effect to a layer, the effect is active for the duration of the layer. However, you can make an effect start and stop at specific times, or make the effect more or less intense over time.
However, when you apply an effect to an adjustment layer, the effect is applied to all layers below it in the Timeline panel. Effects can also be saved, browsed, and applied as animation presets.
The effect you create next will be applied only to the logo elements, and not to the background image of the bridge. A soft-edged shadow appears behind the nested layers of the 5logo layer—the logo graphic, the rotated type, and the word news—in the Composition panel.
You can set these values by clicking the field and typing the number, or by dragging the orange, underlined value. The drop shadow is nice, but the logo will stand out even more if you apply an emboss effect.
Then, click the triangle next to Stylize to expand the category. The Color Emboss effect sharpens the edges of objects in the layer without suppressing the original colors. You will learn several ways to animate text in Lesson 3. The text appears, letter by letter, until the word news is fully onscreen at To do this, you need to precompose the other three layers of the 5logo composition: rotated type, 5 logo, and crop area.
Precomposing is a way to nest layers within a composition. Precomposing moves the layers to a new composition. This new composition takes the place of the selected layers. When you want to change the order in which layer components are rendered, precomposing is a quick way to create intermediate levels of nesting in an existing hierarchy. Then, click OK. This new, precomposed layer contains the three layers that you selected in step 1. The Dissolve — Vapor animation preset includes three components—a master dissolve, a box blur, and a solid composite, all of which appear in the Effect Controls panel.
Press the spacebar to stop playback at any time. Adding transparency Many TV stations display logos semi-transparently in the corner of the frame to emphasize the brand. Click the stopwatch icon to set an Opacity keyframe at this location. After Effects adds a keyframe. When you place your composition in the render queue, it becomes a render item that uses the render settings assigned to it.
While After Effects renders the item, you are unable to work in the program. You will prepare this animation for two formats so that it can be used for broadcast purposes as well as on a website. The Render Queue panel opens automatically. By default, After Effects uses lossless compression to encode the rendered composition into a movie file, which is fine for this project. However, you need to identify where to save the file.
After Effects displays a progress bar in the Render Queue panel as it encodes the file, and issues an audio alert when all items in the Render Queue have been rendered and encoded. For that purpose, you need to render and export the composition in SWF format.
The SWF format is a widely used vector graphics and animation format for the web. It is a compact, binary format that can contain audio and vector objects. Before exporting to SWF, you need to adjust the composition a bit for online display. After Effects applies the new web-appropriate resolution— x pixels—to the composition. As a result, both the background and 5logo layers are about twice as big as the composition, which is now smaller, has a different aspect ratio, and has a different frame rate 15 fps.
So you need to reposition and resize the layers for the new output medium, including centering the logo in the composition. Nested layers are rasterized. This setting preserves image quality nicely but also reduces the file size somewhat. Leave all other settings at their defaults, and then click OK. After Effects displays a progress bar as it renders the file and exports it to SWF format. When you locate the asset you want to use in an After Effects project, double-click it or drag it to the Project panel.
Precomposing moves the layers to a new composition, which takes the place of the selected layers. Adobe After Effects offers many ways to animate text. You can animate text layers by manually creating keyframes in the Timeline panel, using animation presets, or using expressions.
You can even animate individual characters or words in a text layer. This lesson will take approximately 2 hours to complete. As you start the application, restore the default settings for After Effects. Importing the footage You need to import two footage items to begin this lesson. This makes After Effects an incredibly powerful application for compositing and motion graphics work.
Arrange the layers so that Lotus. Now, position and scale the Lotus. Because the two values are linked , changing one value automatically changes both. The lotus moves to the lower-left corner of the composition, so that only a small amount of the flower is on the screen. About text layers In After Effects, you can add text to layers with flexibility and precision. You can create and edit text directly on the screen in the Composition panel and quickly change the font, style, size, and color of the text.
You can add horizontal or vertical text anywhere in a composition. The Tools, Character, and Paragraph panels contain a wide range of text controls. You can apply changes to individual characters and set formatting options for entire paragraphs, including alignment, justification, and word-wrapping. In addition to all of these style features, After Effects provides tools for easily animating specific characters and properties, such as text opacity and hue.
After Effects uses two types of text: point text and paragraph text. Use point text to enter a single word or a line of characters; use paragraph text to enter and format text as one or more paragraphs. You can apply effects and expressions to text layers, animate them, designate them as 3D layers, and edit the 3D text while viewing it in multiple views.
As with layers imported from Illustrator, text layers are continuously rasterized, so when you scale the layer or resize the text, it retains crisp, resolution-independent edges. The main differences between text layers and other layers are that you cannot open a text layer in its own Layer panel, and that you can animate the text in a text layer using special text animator properties and selectors. The text you enter appears in a new text layer. The small line through the I-beam marks the position of the text baseline.
Then, press Enter on the numeric keypad to exit text-editing mode and to select the text layer in the Composition panel. Or, select the layer name to exit text-editing mode.
Using the Character panel The Character panel provides options for formatting characters. If text is highlighted, changes you make in the Character panel affect only the highlighted text. If no text is highlighted and no text layers are selected, the changes you make in the Character panel become the new defaults for the next text entry. Using the Paragraph panel Use the Paragraph panel to set options that apply to entire paragraphs, such as alignment, indentation, and leading.
For point text, each line is a separate paragraph. You can use the Paragraph panel to set formatting options for a single paragraph, multiple paragraphs, or all paragraphs in a text layer. This aligns horizontal text to the center of the layer, not to the center of the composition. This scales the layer to fit it to the width of the composition. Now, you can position the text layer using a grid. Press Shift after you start dragging to constrain the movement and help you position the text.
The easiest way to do that is to use one of the many animation presets that come with After Effects. After applying an animation preset, you can customize it and save it to use again in other projects. After Effects applies animation presets from the current time. To help you choose the right animation preset for your projects, you can preview them in Adobe Bridge.
Adobe Bridge opens and displays the contents of the After Effects Presets folder. Adobe Bridge plays a sample of the animation in the Preview panel. After Effects applies the preset to the selected layer, which is the The Pond layer. Nothing appears to change in the composition. Previewing a range of frames Now, preview the animation. Although the composition is 10 seconds long, you only need to preview the first few seconds, which is where the text animation occurs.
The letters appear to evaporate into the background. It looks great—but you want the letters to fade in and remain onscreen, not disappear into the murky depths of the pond. So you will customize the preset to suit your needs. Customizing an animation preset After you apply an animation preset to a layer, all of its properties and keyframes are listed in the Timeline panel. The Offset property specifies how much to offset the start and end of the selection. This command switches the order of the two Offset keyframes so that the letters are invisible at the beginning of the composition, and then emerge into view.
The letters now fade into rather than disappear from the composition. After Effects adds a new Scale keyframe at the current time. The scale animation ends shortly before The movie title fades in and then scales to a smaller size. Adding Easy Ease The beginning and end of the scale animation are rather abrupt. In nature, nothing comes to an absolute stop. Instead, objects ease into and out of starting and stopping points.
The keyframe becomes a leftpointing icon. The keyframe becomes a right-pointing icon. Animating using parenting The next task is to make it appear as if the virtual camera is zooming away from the composition. The text scale animation you just applied gets you halfway there, but you need to animate the scale of the lotus flower, as well. The Pond. This sets the The Pond text layer as the parent of the Lotus layer, which in turn becomes the child layer.
As the child layer, the Lotus layer inherits the Scale keyframes of its parent layer The Pond. Not only is this a quick way to animate the lotus flower, but it also ensures that the lotus flower scales at the same rate and by the same amount as the text layer. Both the text and the lotus flower scale down in size, making it seem like the camera is zooming away from the scene.
Creating a parenting relationship between layers synchronizes the changes in the parent layer with the corresponding transformation values of the child layers, except opacity. For example, if a parent layer moves 5 pixels to the right of its starting position, then the child layer also moves 5 pixels to the right of its starting position. A layer can have only one parent, but a layer can be a parent to any number of 2D or 3D layers within the same composition.
Parenting layers is useful for creating complex animations such as linking the movements of a marionette, or depicting the orbits of planets in the solar system. For more on parent and child layers, see After Effects Help. Animating imported Photoshop text If all text animations involved just two short words, such as The Pond, life would be easy.
But in the real world, you must often work with longer blocks of text, and they can be tedious to enter manually. Fortunately, After Effects lets you import text from Photoshop or Illustrator.
You can preserve text layers and edit and animate them in After Effects. The imported file is added as a composition to the Project panel; its layers are added in a separate folder. Because you imported the credits. Click OK if you see a warning about missing fonts.
Now the text layers can be edited, and you can fix the typos. Then, change the k to a c in documentary. This is because the original layer name was created in Photoshop. We used Myriad Pro. Leave all other settings as they are.
Animating the subtitle You want the letters of the subtitle, an animated documentary, to fade onscreen from left to right under the movie title. The easiest way to do this is to use another text animation preset. At that point, the title and lotus have finished scaling to their final size. This will work nicely. You should see two keyframes for Range Selector 1 Start: one at , and one at You still have a lot of animation to do in this composition, so you will speed up the effect by 1 second.
After Effects includes several animation presets that animate text along a prebuilt path. These presets also provide placeholder text with formatting when you apply them, so in this exercise, you will enter and format your text after you apply the animation preset. Adobe Bridge returns you to After Effects, where the preset automatically creates a new layer, pipes, with a predefined path that zigzags across the composition.
The text on the path is obscured by the movie title. Customizing the preset path Now, you need to change the placeholder word pipes to directed by.
After Effects switches to the Horizontal Type tool and selects the word pipes in the Composition panel. After Effects updates the Timeline panel with the new layer name.
You may find it easiest to use the arrow keys. By animating tracking, you can make words appear to expand outward as they appear onscreen from a central point.
Before you animate it, change it to your own name. Currently, the text is onscreen for the duration of the composition. That will change once you animate it. Use a first, middle, and last name so that you have a nice long string of text to animate. Then, double-click it to apply it to the selected layer in the Timeline panel. The animation should also occur faster. The letters expand as they appear onscreen and stop animating at the last keyframe.
Then, click the stopwatch icon to set an Opacity keyframe. After Effects adds a second keyframe. Using a text animator group Text animator groups let you animate individual letters within a block of text in a layer. About text animator groups A text animator group includes one or more selectors and one or more animator properties.
A selector is like a mask—it specifies which characters or section of a text layer you want an animator property to affect. Using a selector, you can define a percentage of the text, specific characters in the text, or a specific range of text.
Using a combination of animator properties and selectors, you can create complex text animations that would otherwise require painstaking keyframing. Most text animations require you to animate only the selector values—not the property values. Consequently, text animators use a small number of keyframes even for complex animations. For more about text animator groups, see After Effects Help. Then, expand the layer to see its Text property group name. Then, press Enter or Return again to accept the new name.
Each animator group includes a default range selector. Range selectors constrain the animation to particular letters in the text layer. You can add additional selectors to an animator group, or apply multiple animator properties to the same range selector. Now, any properties that you animate with the Skew Animator will only affect the middle name that you selected Bender, here.
Skewing the range of text Now, make that middle name shake and shimmy by setting Skew keyframes. The other names in the line of text remain steady. After Effects adds another keyframe. This adds an Easy Ease to all keyframes. To remove only one animator, select its name in the Timeline panel and press Delete. Cleaning up the path animation Currently, the words directed by fade in and out as they wind along the Pipes path preset. Now, directed by will be visible throughout the composition.
Because the middle keyframe now the last keyframe is set to Easy Ease, the words directed by come gently to rest above the lotus flower. You also need to adjust the path shape so that it starts and ends off the screen. Drag it far enough off that the dragonfly will not be visible.
After Effects copies the Position keyframes from the directed by layer to the dragonfly layer. Now, the dragonfly is facing forward as it flies. After Effects adds a keyframe, and the text moves behind the dragonfly. The words follow the dragonfly and come to rest above your name, while the dragonfly continues to fly along the path and off the screen.
Adding motion blur Motion blur is the blur that occurs as an object moves. Now, apply motion blur to the layers in the credits composition. Then, click the Enable Motion Blur button at the top of the Timeline panel so that you can see the motion blur in the Composition panel.
After Effects exports the project. This process may take a while, depending on the size of the project. After Effects displays a progress bar as it exports the composition. Give yourself a pat on the back. You just completed some hard-core text animations. Review answers 1 In many ways, text layers are just like any other layer in After Effects.
However, text layers are like shape layers in that you cannot open them in their own Layer panels, and that they are synthetic layers that consist entirely of vector graphics. You can animate the text in a text layer using special text animator properties and selectors. Navigate to folders containing categories of text animation presets, such as Blurs or Paths, and watch samples in the Preview panel. Then, double-click a preset to add it to the currently selected layer in the After Effects Timeline panel.
When a layer is made a parent to another layer, the other layer is called the child layer. Creating a parenting relationship between layers synchronizes the changes in the parent layer with corresponding transformation values of the child layers. Text animator groups contain one or more selectors. Selectors are like masks: they let you specify which characters or section of a text layer you want an animator property to affect. Shape layers are created automatically when you draw a shape with any of the drawing tools.
You can customize and transform an individual shape or its entire layer to create interesting results. In this lesson, you will use shape layers to build a dynamic background for the introduction of a reality series called DJ Quad Master. This effect performs best with video cards that support OpenGL.
This lesson will take approximately an hour to complete. You can animate shapes, apply animation presets, and add Repeaters to intensify their impact. As you start After Effects, restore the default application settings. The period indicates that there are no units in that position. To specify 10 minutes, type After Effects opens the new composition in the Timeline and Composition panels. Adding a shape layer One advantage of using a shape layer, rather than a solid layer, is that you can use the Fill option to create a linear or radial gradient.
When you draw a shape directly in the Composition panel, After Effects adds a new shape layer to the composition. You can apply stroke and fill settings to a shape, modify its path, and apply animation presets. Shape attributes are all represented in the Timeline panel, and you can animate each setting over time.
The same drawing tools can create both shapes and masks. Masks are applied to layers to hide or reveal areas of an image, while shapes have their own layers.
When you select a drawing tool, you can specify whether the tool draws a shape or a mask. The shape appears in the Composition panel, and After Effects adds a shape layer named Shape Layer 1 to the Timeline panel. Clicking the word Fill opens the Fill Options dialog box, where you can select the kind of fill, its blending mode, and its opacity. We used RGB , , We used RGB 10, 25, Now the gradient originates at the bottom of the screen and falls off near the top and edges of the composition.
Press Enter or Return to accept the new layer name. The Polygon tool, in particular, gives you great flexibility. Drawing a polygon By default, the Polygon tool draws a shape using the settings of the last shape drawn with that tool. However, by adjusting the points, position, rotation, outer radius, outer roundness, and other values, you can dramatically alter the initial shape.
Select the Solid Color icon , and then click OK. We used RGB , , 0. Click OK. Twisting a shape The Twist path operation rotates a path more sharply in the center than at the edges. Positive values twist clockwise; negative values twist counterclockwise. In this case, you want to affect only the Repeater. The first value represents the x axis. To move the shapes closer together, use a smaller value for the x axis; to move them farther apart, use a larger value.
Now the shapes are farther apart. To move all of the shapes, you need to move the entire shape layer. Change the Position to , The shape layer is now in the upper-left corner of the composition. Rotating shapes The suns should rotate on the background. This setting causes the shape to rotate three times in 10 seconds. You want the character in the main video file to be the focus of attention. The value would apply to all the duplicates as well.
Press Enter or Return again to accept the new name. Creating stars The Star tool is similar to the Polygon tool. A polygon is simply a star without an Inner Radius or Inner Roundness property; both tools create shapes called polystars.
To draw a star, drag the Star tool in the Composition panel. We used RGB 75, , After Effects adds a shape layer named Shape Layer 1 to the Timeline panel. The radius values change the shape of the star. Negative values pucker a shape; positive values bloat it. This star shape will go well in the background. Now you can duplicate and animate it.
Duplicating shapes You want to have multiple stars in slightly different sizes rotating around the screen. Now there are six stars on the screen. When you change the Transform properties for the Repeater, the change is multiplied by the number of copies created.
For example, if there are 10 copies of a shape and you change the Rotation value to 10 degrees, the first shape retains the original value of 0, the second shape rotates 10 degrees, the third shape rotates 20 degrees, and so on.
The same concept applies to each of the Transform properties. In this project, the anchor point for the layer differs from the position of the shapes, so the chain of stars begins to wrap in on itself.
Each star is more transparent than the one before it. Each duplicate star will be smaller than the one before it. Now you want to animate each star to rotate around its own axis. After you confirm that everything is rotating, collapse the layer.
Incorporating video and audio layers The background is in place. Now you can add the video of the DJ and the audio track that accompanies it. Adding audio and video files You imported files at the beginning of the lesson. The DJ. Trimming the work area The DJ. If you rendered this movie now, the DJ would disappear halfway through the movie. Then, only the first 5 seconds will render.
You can drag the current-time indicator in the Timeline panel or click the Current Time box and then type in the Go To Time dialog box.
Applying a Cartoon effect After Effects includes a new Cartoon effect, which makes it easy to create a stylized look to your video, so that it looks more like a cartoon. Since this intro for the DJ Quad Master reality series is very different from other reality series, the Cartoon effect will work perfectly here.
The Cartoon effect performs best on systems with a video card that supports OpenGL. The Cartoon effect performs three operations on a layer.
First, it smooths the layer, removing a great deal of detail. Therefore, it works best on video footage rather than a graphic layer, such as the background in this project. Next, the Cartoon effect emphasizes the edges of shapes, based on their brightness values. Finally, it simplifies the color in the layer.
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Show and hide more. Table of contents Product information. Getting to Know the Workflow Lesson overview Getting started Creating a project and importing footage Creating a composition and arranging layers Adding effects and modifying layer properties Preparing the layers Adding a Radial Blur effect Adding an exposure effect Transforming layer properties Animating the composition Preparing the text composition Animating text with Position keyframes Adding an animation preset Previewing your work Using standard preview Using RAM preview Optimizing performance in After Effects Rendering and exporting your composition Customizing the workspace Using predefined workspaces Saving a custom workspace Controlling the brightness of the user interface Finding resources for using After Effects Checking for updates Review questions Review answers 2.
Creating a Basic Animation Using Effects and Presets Lesson overview Getting started Importing footage using Adobe Bridge Creating the composition Importing the foreground element Working with imported Illustrator layers Applying effects to a layer Applying an animation preset Precomposing layers for a new animation Previewing the effects Adding transparency Rendering the composition Exporting broadcast-quality output Exporting a composition for the web Review questions Review answers 3.
Animating Layers Lesson overview Getting started Importing the footage Creating the composition Simulating lighting changes Duplicating an animation using the pick whip Animating movement in the scenery Animating the sun Animating the birds Animating the clouds Previewing the animation Adjusting the layers and creating a track matte Precomposing layers Creating the track matte Adding motion blur Animating the shadows Adding a lens flare effect Animating the clock Rendering the animation Retiming the composition Viewing time remapping in the Graph Editor Using the Graph Editor to remap time Adding an Easy Ease Out Scaling the animation in time Review questions Review answers 7.
Working with Masks Lesson overview About masks Getting started Importing the footage Creating the composition Creating a mask with the Pen tool Editing a mask Inverting the mask Creating curved masks Breaking direction handles Feathering the edges of a mask Replacing the content of the mask Repositioning and resizing the news clip Rotating the clip Adding a reflection Applying a blending mode Creating a vignette Adjusting the color Review questions Review answers 8.
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